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c. 1445 – May 17, 1510. Italian painter.

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Bernardo Bellotto
Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein

ID: 89773

Bernardo Bellotto Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein
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Bernardo Bellotto Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Das kaiserliche Lustschlob Schlobhof, Ehrenhofseite | Piazza della Signoria in Florence (mk08) | Piazza della Signoria in Florence | Ruins of a Temple | Kaiserliches Lustschloss Schonbrunn, Gartenfassade. |
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Hannah Brown Skeele
Hannah Brown Skeele (1829 - 1901)
Johann Peter Krafft
(15 September 1780 - 28 October 1856) was a German-Austrian painter. Krafft was born in Hanau, Hesse. At the age of ten, he began his art studies at the Hanau Akademie. In 1799, he moved to Vienna and studied at the Academy of Fine Arts for three years under the tutelage of Heinrich Feger. From 1802 to 1808, he studied in Paris, with Jacques-Louis David and François Gerard, and then in Rome. On his return to Vienna, he became a successful professional painter, producing numerous portraits. In 1828, Krafft became director of the Imperial and Royal Picture Gallery in Belvedere Palace. Johann Peter Krafft died at the age of 76 in Vienna, where he was buried at the Zentralfriedhof.
Hendrick the Brugghen
1588-1629 Dutch painter and draughtsman. He was, with Gerrit van Honthorst and Dirck van Baburen, one of the leading painters in the group of artists active in Utrecht in the 1620s who came to be known as the UTRECHT CARAVAGGISTI, since they adapted Caravaggio's subject-matter and style to suit the Dutch taste for religious and secular paintings. Ter Brugghen was an important innovator for later Dutch 17th-century genre painting; his recognition as an unorthodox,






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